VISUAL DIRECTION & PRODUCTIONWork
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Hi there! 

I'm an Austrian-born Visual Director passionate about transforming brands through Visual Branding and Editorial Storytelling. Based in Munich, I help international clients find their authentic visual voice through strategic Creative Direction, Photo Production, and narrative-driven campaigns.

From concept to execution, I blend Photography, Motion, and Brand Identity expertise to create compelling visual narratives for brands, magazines, and companies. My work spans Editorial Photography, Art Direction, Visual Content Strategy and back-to-back Photo Production for clients across Europe and beyond.

Experience includes:  Condé Nast, photo agencies in Germany and New York City, and international creative marketing teams working on global brands such as BMW and Volkswagen Group. 

My journey began at a local radio station in Graz, where I discovered my passion for Editorial Storytelling and pop culture – a driving force that continues to shape every project.




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Please contact me if you would like to collaborate

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+49 (0) 176 824 310 47
ena@enaaichinger.com
@enaaichinger


Omar Sy

Shooting in Paris with Omar Sy is no small thing. It starts when he arrives on set with his best (styling support) buddy, a famous French soccer player. While the French crew freaked out in light of two famous celebrities, Ulf and I googled the soccer player as we both are absolutely ignorant when it comes to that sport. Then we had to convince Omar to slip into a knight’s armour (only the pants) which - to his credit - he playfully did but not looked particularly comfortable in. 

Our visual concept was to play with the iconography of Napoleon and other historic French leaders as he represents in many (not Napoleonic though) ways a new era of Frenchness.  We played with symbolic props such as the armour, a pedestal to lean into (very heroic), a saber - the armour and saber dropped at some point for obvious reasons. The fantastic set designer, Alice Jacobs, created and live-painted the backdrops. The yellow sun on the red wall was a nod to KIng Louis XVI. 

Kenny, the photographer, and Edem, the stylist, who also happen to be best friends, took our basic visual approach and really turned it into something artful, iconic and fun- alongside with the required (GQ) stylishness. I love the white Louis Vuitton coat that he wears on the cover. 

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Set Designer: Kenny Germé 
GQ MOTY Cover 2021
Jana Meier-Roberts
Paris, France
Ulf Pape
Edem Dossou
Kitten Production
Alice Jacobs














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